Showing posts with label Art Nouveau. Show all posts
Showing posts with label Art Nouveau. Show all posts

Carnavalet Charm


November 5: Because it's free and contained in two relatively small Marais mansions, the Musee Carnavalet is a worthwhile introduction to the history of Paris, particularly the revolutionary years. The city participated in four revolutions: the biggie in 1789, and three more in the 19th century. You'll see monuments and references to all four events throughout the city, and this museum sorts them out for you. However, avoid coming between 12 and 2 PM, when many rooms are closed for lunch or on Monday, when the place is closed.

One caveat: everything is in French, so find a good tour book. The Rick Steves Paris book, linked on the right side of this blog, contains a two-hour tour, or one-hour, if you concentrate on the revolution.  Many other travel guides also contain tours.

The walls were chock-full of paintings of French personalities such as Marie Antoinette, Marat and Robespierre. Two toy guillotines made of ivory were among the displays. The first highlight were the city models, particularly of the area around Notre Dame before Baron Haussmann's renovations. The location was a warren of medieval houses and crooked streets before the tore them all down to present a better view of the cathedral.

The second highlight was the full reconstruction of an Art Nouveau shop, both inside and outside, complete with bronze peacocks, stained glass accents and curved framing. I'll let the picture speak for itself.

The Orsay is Okay



November 3: Though ensconced within the elaborate facade of a Victorian rail station, the Orsay Museum boasts an airy, white, light-filled interior that pulls it into the 21st century. Rick Steves' Paris guidebook (more info on the right) guided us through sculpture, painting and decorative works from the 19th and early 20th century, failing only at the Impressionist section, which had been moved and reorganized.

Exhibits

One of my favorite exhibits was a scale model of Paris in the 19th century, under a thick, transparent floor. I was afraid of crossing it for fear of breaking the floor, but Anthony walked across it immediately, as did some kids. It was perfectly safe but I kept off.

 

The model was guarded by yet another scale construction: a cutaway view of the Opera Garnier, so you could see everything from the elaborate lobby, to the seats, to the  stage mechanisms.
We were disappointed in not being able to find Renoir's masterpiece Bal du Moulin de la Galette, especially since we'd eaten at that very location recently. Apparently, it was on tour in Germany.
Not at the Orsay because it was on tour.
 Surprises

One pleasant surprise was a collection of Art Nouveau furniture including entire rooms such as this dining room by Alexandre Charpentier.
A temporary exhibit introduced me to the paintings of Jean-Léon Gérôme, who liked to paint and sculpt theatrical historical and fantasy scenes. If he'd been alive today, he might be working for a video game company or as a movie matte painter. His most famous work is Police Verso, which traveled all the way from the Phoenix Art Museum.

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